AKG Rhythm Pack Drum Kit Microphone D112 D40 C430 (2024)

FAQs

What type of microphone is best for recording drums? ›

Typically, you use dynamic and condenser microphones to mic the snares. A dynamic mic will better capture the weight and body, with greater isolation from other drums.

i have had no problem

our board actually sends phantom power by default, and ive never had a problem with my D112, the only mics i think the only time you would really want to worry about sending phantom power is if you have any ribbon mics.

The D112 MKII cardioid dynamic mic can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz.

In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.

3-to-1 Rule – When using multiple microphones, the distance between microphones should be at least 3 times the distance from each microphone to its intended sound source.

When recording drums, the clarity of the mic preamp is critical. To capture the cleanest sound, you need a preamp with lots of headroom and a fast transient response, to make sure your drums sound punchy and tight, not sloppy and dull.

The answer is that yes, most items are now made in China. AKG Acoustics has been move manufacturing oversea to save on production costs. The engineering and the design of the products are still being done in Austria.

The microphone shall be a dynamic type with a cardioid pickup pattern with response from 20 Hz - 20 kHz (+/- 10 dB), 40 Hz - 17 kHz (+/- 3 dB). Sensitivity shall be no less than 1.8 mV/Pa, and the maximum operating level for 1 and 3% THD shall be virtually unmeasurble.

Small-Diaphragm Condensers

These are the microphones of choice for recording higher SPL audio sources with sharp transients. You can use SDC's to record hi-hats, acoustic instruments or really anything that requires an excellent transient response.

AKG microphones are among the most reputable in the industry. Best known for their high-end offerings, AKG produces a wide range of mics for any budget and application.

What does AKG stand for in microphones? ›

AKG Acoustics (originally Akustische und Kino-Geräte Gesellschaft m.b.H., English: Acoustic and Cinema Equipment L.L.C.) is an acoustics engineering and manufacturing company. It was founded in 1947 by Rudolf Görike and Ernest Plass in Vienna, Austria.

Sure, but you need to ask what you're trying to accomplish. Years ago we used to record direct to a 4 track recorder and position 4 mics to pick up everything in the room as optimally as possible. This was a small Jazz group so placing a boundary mic in front of the drum kit worked well.

The Bottom Line. If you like the more weighty isolated sound of close mic drums, you're likely better off using a dynamic microphone. Alternatively, if a more natural, open sound, and increased attack is your thing – it's condenser mics all the way.

For under the snare, you can choose either a bright mic or a balanced mic — just know that what you hear under the snare sounds like triggered white noise. I personally like the sound of the Audio-Technica AT4033A, but other mics typically used in that position are the Telefunken M81-SH or Shure SM57.

While a small-diaphragm condenser mic is best suited for recording instruments and vocals, a large-diaphragm condenser mic is perfect for voiceovers and studio recordings. If live streaming or podcasting, pick a dynamic mic. And if working with a band or choir, a ribbon mic will be your best bet.